Cataraqui Chamber Music Festival - Concert V
Cataraqui Chamber Music Festival - Concert V
Cataraqui Chamber Music Festival - Concert V



The Spire
The Spire
The Spire
82 Sydenham Street, Kingston, ON, K7L 3H4
Duration: 70 minutes – with intermission
Friday, August 14, 2026, 7:00 PM
82 Sydenham Street, Kingston, ON, K7L 3H4
Duration: 70 minutes – with intermission
Friday, August 14, 2026, 7:00 PM
82 Sydenham Street, Kingston, ON, K7L 3H4
Duration: 70 minutes – with intermission
Friday, August 14, 2026, 7:00 PM
Ticket Information
Single Concert Tickets
Value Ticket CAD $35
General Ticket CAD $48
Premium Ticket CAD $60
Booking fees and applicable taxes are not included.
Ticket Information
Single Concert Tickets
Value Ticket CAD $35
General Ticket CAD $48
Premium Ticket CAD $60
Booking fees and applicable taxes are not included.
Ticket Information
Single Concert Tickets
Value Ticket CAD $35
General Ticket CAD $48
Premium Ticket CAD $60
Booking fees and applicable taxes are not included.
Festival Passes (All 6 Concerts Included)
Festival Passes offer discounted pricing for attendees wishing to enjoy all six concerts of the festival.
Value seating for all six concerts → Value Pass (CAD $169)
General seating for all six concerts → General Pass (CAD $259)
Premium seating for all six concerts → Premium Pass (CAD $330)
Booking fees and applicable taxes are not included.
Simply add all six festival concerts to your cart. The Festival Pass discount will be applied automatically before checkout.
Please note: Festival Pass pricing is available only when all six festival concerts are added to your cart.
Festival Passes (All 6 Concerts Included)
Festival Passes offer discounted pricing for attendees wishing to enjoy all six concerts of the festival.
Value seating for all six concerts → Value Pass (CAD $169)
General seating for all six concerts → General Pass (CAD $259)
Premium seating for all six concerts → Premium Pass (CAD $330)
Booking fees and applicable taxes are not included.
Simply add all six festival concerts to your cart. The Festival Pass discount will be applied automatically before checkout.
Please note: Festival Pass pricing is available only when all six festival concerts are added to your cart.
Group Discount
Groups of 10 or more qualify for a 20% discount.
The discount may be applied to:
10 or more tickets for the same concert; or
10 or more Festival Passes.
Please contact us by email to receive a group discount code.
Group Discount
Groups of 10 or more qualify for a 20% discount.
The discount may be applied to:
10 or more tickets for the same concert; or
10 or more Festival Passes.
Please contact us by email to receive a group discount code.
Group Discount
Groups of 10 or more qualify for a 20% discount.
The discount may be applied to:
10 or more tickets for the same concert; or
10 or more Festival Passes.
Please contact us by email to receive a group discount code.
Cataraqui Chamber Music Festival
Harmonaire Musique is pleased to present the Cataraqui Chamber Music Festival. The festival will take place from August 5 to August 19, 2026 at The Spire in Kingston, bringing together classical chamber music performances with an Indigenous Cultural Corridor and workshops to create a summer festival that combines classical artistic excellence with Indigenous cultural engagement.
Rooted in Kingston’s rich historical background and diverse cultural environment, the meaning of the name “Cataraqui” (often spelled Katarokwi by Indigenous communities) is an Indigenous term, likely Mohawk, with meanings including “a place where there is clay or limestone,” “great meeting place,” or “where the river meets the lake.” It refers primarily to the Kingston, Ontario area and its surrounding waterways.
This project aims, through the parallel presentation of musical performances and cultural programs, to allow audiences not only to experience high-quality live classical music, but also to encounter, understand, and engage with the cultural context of this land within the same space. Participants are not only audiences, but can also become part of the festival experience through participation in workshops and the Indigenous Cultural Corridor.
Harmonaire Musique is pleased to present the Cataraqui Chamber Music Festival. The festival will take place from August 5 to August 19, 2026 at The Spire in Kingston, bringing together classical chamber music performances with an Indigenous Cultural Corridor and workshops to create a summer festival that combines classical artistic excellence with Indigenous cultural engagement.
Rooted in Kingston’s rich historical background and diverse cultural environment, the meaning of the name “Cataraqui” (often spelled Katarokwi by Indigenous communities) is an Indigenous term, likely Mohawk, with meanings including “a place where there is clay or limestone,” “great meeting place,” or “where the river meets the lake.” It refers primarily to the Kingston, Ontario area and its surrounding waterways.
This project aims, through the parallel presentation of musical performances and cultural programs, to allow audiences not only to experience high-quality live classical music, but also to encounter, understand, and engage with the cultural context of this land within the same space. Participants are not only audiences, but can also become part of the festival experience through participation in workshops and the Indigenous Cultural Corridor.
Harmonaire Musique is pleased to present the Cataraqui Chamber Music Festival. The festival will take place from August 5 to August 19, 2026 at The Spire in Kingston, bringing together classical chamber music performances with an Indigenous Cultural Corridor and workshops to create a summer festival that combines classical artistic excellence with Indigenous cultural engagement.
Rooted in Kingston’s rich historical background and diverse cultural environment, the meaning of the name “Cataraqui” (often spelled Katarokwi by Indigenous communities) is an Indigenous term, likely Mohawk, with meanings including “a place where there is clay or limestone,” “great meeting place,” or “where the river meets the lake.” It refers primarily to the Kingston, Ontario area and its surrounding waterways.
This project aims, through the parallel presentation of musical performances and cultural programs, to allow audiences not only to experience high-quality live classical music, but also to encounter, understand, and engage with the cultural context of this land within the same space. Participants are not only audiences, but can also become part of the festival experience through participation in workshops and the Indigenous Cultural Corridor.
Festival Concert Schedule
Program Details
The repertoire is subject to change without prior notice.
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Program Details
The repertoire is subject to change without prior notice.
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Program Details
The repertoire is subject to change without prior notice.
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Program Details
The repertoire is subject to change without prior notice.
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Program Details
The repertoire is subject to change without prior notice.
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)
Program Details
The repertoire is subject to change without prior notice.
Francesco Paolo Tosti (1846–1916)
La serenata
A vucchella
Sogno
Penso!
Edvard Grieg (1843–1907)
6 Lieder, Op. 48
Gruss
Dereinst, Gedanke mein
Lauf der Welt
Die verschwiegene Nachtigall
Zur Rosenzeit
Ein Traum
-Intermission-
Richard Strauss (1864–1949)
4 Lieder, Op. 27
Ruhe, meine Seele!
Cäcilie
Heimliche Aufforderung
Morgen!
Charles Gounod (1818–1893)
Jewel Song (excerpt from Faust)
Giacomo Puccini (1858–1924)
“Si, mi chiamano Mimì” (excerpt from La Bohème)
Giuseppe Verdi (1813–1901)
“Tacea la notte placida… Di tale amor” (excerpt from Il Trovatore)

Artist
Ariane cossette, soprano
Canadian soprano Ariane Cossette is a recent graduate of the prestigious Canadian Opera Company Ensemble Studio and a distinguished laureate of the 2025 Jeunes Ambassadeurs Lyriques. She holds a Bachelor’s degree from the Conservatoire de musique de Montréal, as well as a Master’s degree and a postgraduate degree from the University of Montreal.
Praised for her powerful voice and captivating dramatic interpretations, she has received support from renowned foundations and organizations such as the Canada Council for the Arts, the AIDA Fund of Jeunesses Musicales Canada, the Art Song Foundation of Canada, the Opéra Bouffe du Québec, and the Jacqueline Desmarais Foundation. She is also a recipient of a Francis Poulenc Bursary from the Jeunes Ambassadeurs Lyriques 2024. In 2023, she distinguished herself by winning second place at the Louis and Christina Quilico Awards and first place at the National Capital Opera Competition in Ottawa.

Artist
Ariane cossette, soprano
Canadian soprano Ariane Cossette is a recent graduate of the prestigious Canadian Opera Company Ensemble Studio and a distinguished laureate of the 2025 Jeunes Ambassadeurs Lyriques. She holds a Bachelor’s degree from the Conservatoire de musique de Montréal, as well as a Master’s degree and a postgraduate degree from the University of Montreal.
Praised for her powerful voice and captivating dramatic interpretations, she has received support from renowned foundations and organizations such as the Canada Council for the Arts, the AIDA Fund of Jeunesses Musicales Canada, the Art Song Foundation of Canada, the Opéra Bouffe du Québec, and the Jacqueline Desmarais Foundation. She is also a recipient of a Francis Poulenc Bursary from the Jeunes Ambassadeurs Lyriques 2024. In 2023, she distinguished herself by winning second place at the Louis and Christina Quilico Awards and first place at the National Capital Opera Competition in Ottawa.

Artist
Ariane cossette, soprano
Canadian soprano Ariane Cossette is a recent graduate of the prestigious Canadian Opera Company Ensemble Studio and a distinguished laureate of the 2025 Jeunes Ambassadeurs Lyriques. She holds a Bachelor’s degree from the Conservatoire de musique de Montréal, as well as a Master’s degree and a postgraduate degree from the University of Montreal.
Praised for her powerful voice and captivating dramatic interpretations, she has received support from renowned foundations and organizations such as the Canada Council for the Arts, the AIDA Fund of Jeunesses Musicales Canada, the Art Song Foundation of Canada, the Opéra Bouffe du Québec, and the Jacqueline Desmarais Foundation. She is also a recipient of a Francis Poulenc Bursary from the Jeunes Ambassadeurs Lyriques 2024. In 2023, she distinguished herself by winning second place at the Louis and Christina Quilico Awards and first place at the National Capital Opera Competition in Ottawa.

Artist
ying zhang, piano
Ying Zhang is a pianist devoted to revealing the emotional depth and narrative resonance of the piano repertoire. Known for her refined sound, clarity of expression, and instinctive sensitivity to musical lines, she brings an intimate and compelling presence to the stage. A versatile performer active as a soloist and chamber musician, she has appeared in concerts across Canada, the United States, and China.
Born in China, Ying received her formative training at the Conservatory of Music’s affiliated middle and high school before pursuing advanced studies in North America. She holds a Bachelor of Music and Master of Music in Piano Performance from the Schulich School of Music at McGill University, as well as a Post-Graduate Professional Studies Diploma from the San Francisco Conservatory of Music. During her studies at McGill, she was recognized with the Paul-Marcel Gélinas et Verna-Marie Parr Gélinas Piano Award for academic and artistic excellence, and received the Outstanding Achievement in Piano award as a graduating undergraduate for excellence in piano studies.

Artist
ying zhang, piano
Ying Zhang is a pianist devoted to revealing the emotional depth and narrative resonance of the piano repertoire. Known for her refined sound, clarity of expression, and instinctive sensitivity to musical lines, she brings an intimate and compelling presence to the stage. A versatile performer active as a soloist and chamber musician, she has appeared in concerts across Canada, the United States, and China.
Born in China, Ying received her formative training at the Conservatory of Music’s affiliated middle and high school before pursuing advanced studies in North America. She holds a Bachelor of Music and Master of Music in Piano Performance from the Schulich School of Music at McGill University, as well as a Post-Graduate Professional Studies Diploma from the San Francisco Conservatory of Music. During her studies at McGill, she was recognized with the Paul-Marcel Gélinas et Verna-Marie Parr Gélinas Piano Award for academic and artistic excellence, and received the Outstanding Achievement in Piano award as a graduating undergraduate for excellence in piano studies.

Artist
ying zhang, piano
Ying Zhang is a pianist devoted to revealing the emotional depth and narrative resonance of the piano repertoire. Known for her refined sound, clarity of expression, and instinctive sensitivity to musical lines, she brings an intimate and compelling presence to the stage. A versatile performer active as a soloist and chamber musician, she has appeared in concerts across Canada, the United States, and China.
Born in China, Ying received her formative training at the Conservatory of Music’s affiliated middle and high school before pursuing advanced studies in North America. She holds a Bachelor of Music and Master of Music in Piano Performance from the Schulich School of Music at McGill University, as well as a Post-Graduate Professional Studies Diploma from the San Francisco Conservatory of Music. During her studies at McGill, she was recognized with the Paul-Marcel Gélinas et Verna-Marie Parr Gélinas Piano Award for academic and artistic excellence, and received the Outstanding Achievement in Piano award as a graduating undergraduate for excellence in piano studies.

