Vancouver: Dreaming in North America
Vancouver: Dreaming in North America
Vancouver: Dreaming in North America

Tickets are expected to be available on July 1. Join our mailing list to be notified.
Tickets are expected to be available on July 1.
Join our mailing list to be notified.
Tickets are expected to be available on July 1.
Join our mailing list to be notified.
Pyatt Hall
843 Seymour St, Vancouver, BC V6B 3L4
Duration: 70 minutes – with intermission
Friday, September 18, 2026, 5:00 PM
About Dreaming in North America / Rêver en Amérique du Nord
Dreaming in North America is part of The Two Faces of the Dream, a national concert series presented by Harmonaire Musique across Canada throughout 2026. The project explores the relationship between classical music and the inner psychological world of composers, inviting audiences to experience music not as distant historical art, but as deeply human expressions shaped by memory, imagination, movement, and emotional life.
This Vancouver program brings together works spanning more than three centuries, from Johann Sebastian Bach to contemporary North American voices such as Jessie Montgomery and Vivian Fung. Though separated by time, geography, and musical language, these composers share a common thread: the transformation of inner experience into sound.
At the center of the project lies the imaginative world of Robert Schumann, whose artistic identity was famously divided between the fictional figures Florestan and Eusebius. These imagined alter egos represented two opposing yet inseparable forces within the composer’s mind — passion and reflection, impulse and introspection, turbulence and lyricism. Schumann’s “two faces” serve as a symbolic framework for this series, reflecting the emotional dualities that continue to shape artistic expression across generations.
Each concert in the series combines live performance with spoken interaction before and during the performance. Through storytelling, commentary, and introduction, audiences are invited into the emotional, psychological, and physical worlds behind the music and its creators. By breaking down traditional barriers between performers and listeners, The Two Faces of the Dream seeks to make classical music more accessible, personal, and connected to contemporary life.
Pyatt Hall
843 Seymour St, Vancouver, BC V6B 3L4
Duration: 70 minutes – with intermission
Friday, September 18, 2026, 5:00 PM
About Dreaming in North America / Rêver en Amérique du Nord
Dreaming in North America is part of The Two Faces of the Dream, a national concert series presented by Harmonaire Musique across Canada throughout 2026. The project explores the relationship between classical music and the inner psychological world of composers, inviting audiences to experience music not as distant historical art, but as deeply human expressions shaped by memory, imagination, movement, and emotional life.
This Vancouver program brings together works spanning more than three centuries, from Johann Sebastian Bach to contemporary North American voices such as Jessie Montgomery and Vivian Fung. Though separated by time, geography, and musical language, these composers share a common thread: the transformation of inner experience into sound.
At the center of the project lies the imaginative world of Robert Schumann, whose artistic identity was famously divided between the fictional figures Florestan and Eusebius. These imagined alter egos represented two opposing yet inseparable forces within the composer’s mind — passion and reflection, impulse and introspection, turbulence and lyricism. Schumann’s “two faces” serve as a symbolic framework for this series, reflecting the emotional dualities that continue to shape artistic expression across generations.
Each concert in the series combines live performance with spoken interaction before and during the performance. Through storytelling, commentary, and introduction, audiences are invited into the emotional, psychological, and physical worlds behind the music and its creators. By breaking down traditional barriers between performers and listeners, The Two Faces of the Dream seeks to make classical music more accessible, personal, and connected to contemporary life.
Pyatt Hall
843 Seymour St, Vancouver, BC V6B 3L4
Duration: 70 minutes – with intermission
Friday, September 18, 2026, 5:00 PM
About Dreaming in North America / Rêver en Amérique du Nord
Dreaming in North America is part of The Two Faces of the Dream, a national concert series presented by Harmonaire Musique across Canada throughout 2026. The project explores the relationship between classical music and the inner psychological world of composers, inviting audiences to experience music not as distant historical art, but as deeply human expressions shaped by memory, imagination, movement, and emotional life.
This Vancouver program brings together works spanning more than three centuries, from Johann Sebastian Bach to contemporary North American voices such as Jessie Montgomery and Vivian Fung. Though separated by time, geography, and musical language, these composers share a common thread: the transformation of inner experience into sound.
At the center of the project lies the imaginative world of Robert Schumann, whose artistic identity was famously divided between the fictional figures Florestan and Eusebius. These imagined alter egos represented two opposing yet inseparable forces within the composer’s mind — passion and reflection, impulse and introspection, turbulence and lyricism. Schumann’s “two faces” serve as a symbolic framework for this series, reflecting the emotional dualities that continue to shape artistic expression across generations.
Each concert in the series combines live performance with spoken interaction before and during the performance. Through storytelling, commentary, and introduction, audiences are invited into the emotional, psychological, and physical worlds behind the music and its creators. By breaking down traditional barriers between performers and listeners, The Two Faces of the Dream seeks to make classical music more accessible, personal, and connected to contemporary life.
Program Details
The repertoire is subject to change without prior notice.
Jessie Montgomery (b.1981)
Rhapsody No. 2 (2021)
Eckhardt-Gramatté (1899-1974)
Caprice No. 7 “Le Depart d’un Train”
Johann Sebastian Bach (1685-1750)
Sonata No. 3 in C Major
III. Largo
Vivian Fung (b.1975)
Silhouettes
Eugène Ysaÿe(1858-1931)
Sonata Op. 27 No. 4 in E minor "Fritz Kreisler"
I. Allemande: Lento Maestoso
III. Finale: Presto Ma Non Troppo
-Intermission-
Robert Schumann (1810-1856)
Piano Sonata No. 1 in F-Sharp Minor, Op. 11
I. Introduzione: Un poco adagio — Allegro vivace
II. Aria
III. Scherzo e Intermezzo: Allegrissimo — Lento
IV. Allegro un poco maestoso
Program Details
The repertoire is subject to change without prior notice.
Jessie Montgomery (b.1981)
Rhapsody No. 2 (2021)
Eckhardt-Gramatté (1899-1974)
Caprice No. 7 “Le Depart d’un Train”
Johann Sebastian Bach (1685-1750)
Sonata No. 3 in C Major
III. Largo
Vivian Fung (b.1975)
Silhouettes
Eugène Ysaÿe(1858-1931)
Sonata Op. 27 No. 4 in E minor "Fritz Kreisler"
I. Allemande: Lento Maestoso
III. Finale: Presto Ma Non Troppo
-Intermission-
Robert Schumann (1810-1856)
Piano Sonata No. 1 in F-Sharp Minor, Op. 11
I. Introduzione: Un poco adagio — Allegro vivace
II. Aria
III. Scherzo e Intermezzo: Allegrissimo — Lento
IV. Allegro un poco maestoso
Program Details
The repertoire is subject to change without prior notice.
Jessie Montgomery (b.1981)
Rhapsody No. 2 (2021)
Eckhardt-Gramatté (1899-1974)
Caprice No. 7 “Le Depart d’un Train”
Johann Sebastian Bach (1685-1750)
Sonata No. 3 in C Major
III. Largo
Vivian Fung (b.1975)
Silhouettes
Eugène Ysaÿe(1858-1931)
Sonata Op. 27 No. 4 in E minor "Fritz Kreisler"
I. Allemande: Lento Maestoso
III. Finale: Presto Ma Non Troppo
-Intermission-
Robert Schumann (1810-1856)
Piano Sonata No. 1 in F-Sharp Minor, Op. 11
I. Introduzione: Un poco adagio — Allegro vivace
II. Aria
III. Scherzo e Intermezzo: Allegrissimo — Lento
IV. Allegro un poco maestoso
Program Details
The repertoire is subject to change without prior notice.
Jessie Montgomery (b.1981)
Rhapsody No. 2 (2021)
Eckhardt-Gramatté (1899-1974)
Caprice No. 7 “Le Depart d’un Train”
Johann Sebastian Bach (1685-1750)
Sonata No. 3 in C Major
III. Largo
Vivian Fung (b.1975)
Silhouettes
Eugène Ysaÿe(1858-1931)
Sonata Op. 27 No. 4 in E minor "Fritz Kreisler"
I. Allemande: Lento Maestoso
III. Finale: Presto Ma Non Troppo
-Intermission-
Robert Schumann (1810-1856)
Piano Sonata No. 1 in F-Sharp Minor, Op. 11
I. Introduzione: Un poco adagio — Allegro vivace
II. Aria
III. Scherzo e Intermezzo: Allegrissimo — Lento
IV. Allegro un poco maestoso
Program Details
The repertoire is subject to change without prior notice.
Jessie Montgomery (b.1981)
Rhapsody No. 2 (2021)
Eckhardt-Gramatté (1899-1974)
Caprice No. 7 “Le Depart d’un Train”
Johann Sebastian Bach (1685-1750)
Sonata No. 3 in C Major
III. Largo
Vivian Fung (b.1975)
Silhouettes
Eugène Ysaÿe(1858-1931)
Sonata Op. 27 No. 4 in E minor "Fritz Kreisler"
I. Allemande: Lento Maestoso
III. Finale: Presto Ma Non Troppo
-Intermission-
Robert Schumann (1810-1856)
Piano Sonata No. 1 in F-Sharp Minor, Op. 11
I. Introduzione: Un poco adagio — Allegro vivace
II. Aria
III. Scherzo e Intermezzo: Allegrissimo — Lento
IV. Allegro un poco maestoso
Program Details
The repertoire is subject to change without prior notice.
Jessie Montgomery (b.1981)
Rhapsody No. 2 (2021)
Eckhardt-Gramatté (1899-1974)
Caprice No. 7 “Le Depart d’un Train”
Johann Sebastian Bach (1685-1750)
Sonata No. 3 in C Major
III. Largo
Vivian Fung (b.1975)
Silhouettes
Eugène Ysaÿe(1858-1931)
Sonata Op. 27 No. 4 in E minor "Fritz Kreisler"
I. Allemande: Lento Maestoso
III. Finale: Presto Ma Non Troppo
-Intermission-
Robert Schumann (1810-1856)
Piano Sonata No. 1 in F-Sharp Minor, Op. 11
I. Introduzione: Un poco adagio — Allegro vivace
II. Aria
III. Scherzo e Intermezzo: Allegrissimo — Lento
IV. Allegro un poco maestoso

Artist
JAE-WON BANG, VIOLIN
Violinist Jae-Won Bang received her Bachelor of Music and Master of Music in Violin Performance from the Colburn School and Yale School of Music respectively, and Master of Music in Historical Performance from the Juilliard School. In 2012, she was featured on the NEXT Young Artist series on CBC Radio Two with pianist Ryo Yanagitani, as the first artist to be heard on both baroque and modern violins. Jae-Won has collaborated with Clive Greensmith, Gil Kalish, Ronald Leonard, Rachel Podger, Arnold Steinhardt, and has performed in Weill Hall and Stern Auditorium at Carnegie, David Geffen Hall, Kennedy Centre, Alice Tully Hall, the Greene Space at WQXR, and le poisson rouge. She has also appeared as a Young Artist with Da Camera Houston for the 2015/2016 season. Her teachers include Gerald Stanick, Robert Lipsett, Ani Kavafian, Laurie Smukler, and Cho-Liang Lin on violin and Robert Mealy, Cynthia Roberts and Monica Huggett on baroque violin.
Starting in the 2016/2017 season, she joins the first violin section of the Vancouver Symphony Orchestra.

Artist
JAE-WON BANG, VIOLIN
Violinist Jae-Won Bang received her Bachelor of Music and Master of Music in Violin Performance from the Colburn School and Yale School of Music respectively, and Master of Music in Historical Performance from the Juilliard School. In 2012, she was featured on the NEXT Young Artist series on CBC Radio Two with pianist Ryo Yanagitani, as the first artist to be heard on both baroque and modern violins. Jae-Won has collaborated with Clive Greensmith, Gil Kalish, Ronald Leonard, Rachel Podger, Arnold Steinhardt, and has performed in Weill Hall and Stern Auditorium at Carnegie, David Geffen Hall, Kennedy Centre, Alice Tully Hall, the Greene Space at WQXR, and le poisson rouge. She has also appeared as a Young Artist with Da Camera Houston for the 2015/2016 season. Her teachers include Gerald Stanick, Robert Lipsett, Ani Kavafian, Laurie Smukler, and Cho-Liang Lin on violin and Robert Mealy, Cynthia Roberts and Monica Huggett on baroque violin.
Starting in the 2016/2017 season, she joins the first violin section of the Vancouver Symphony Orchestra.

Artist
JAE-WON BANG, VIOLIN
Violinist Jae-Won Bang received her Bachelor of Music and Master of Music in Violin Performance from the Colburn School and Yale School of Music respectively, and Master of Music in Historical Performance from the Juilliard School. In 2012, she was featured on the NEXT Young Artist series on CBC Radio Two with pianist Ryo Yanagitani, as the first artist to be heard on both baroque and modern violins. Jae-Won has collaborated with Clive Greensmith, Gil Kalish, Ronald Leonard, Rachel Podger, Arnold Steinhardt, and has performed in Weill Hall and Stern Auditorium at Carnegie, David Geffen Hall, Kennedy Centre, Alice Tully Hall, the Greene Space at WQXR, and le poisson rouge. She has also appeared as a Young Artist with Da Camera Houston for the 2015/2016 season. Her teachers include Gerald Stanick, Robert Lipsett, Ani Kavafian, Laurie Smukler, and Cho-Liang Lin on violin and Robert Mealy, Cynthia Roberts and Monica Huggett on baroque violin.
Starting in the 2016/2017 season, she joins the first violin section of the Vancouver Symphony Orchestra.

Artist
ying zhang, piano
Ying Zhang is a pianist devoted to revealing the emotional depth and narrative resonance of the piano repertoire. Known for her refined sound, clarity of expression, and instinctive sensitivity to musical lines, she brings an intimate and compelling presence to the stage. A versatile performer active as a soloist and chamber musician, she has appeared in concerts across Canada, the United States, and China.
Born in China, Ying received her formative training at the Conservatory of Music’s affiliated middle and high school before pursuing advanced studies in North America. She holds a Bachelor of Music and Master of Music in Piano Performance from the Schulich School of Music at McGill University, as well as a Post-Graduate Professional Studies Diploma from the San Francisco Conservatory of Music. During her studies at McGill, she was recognized with the Paul-Marcel Gélinas et Verna-Marie Parr Gélinas Piano Award for academic and artistic excellence, and received the Outstanding Achievement in Piano award as a graduating undergraduate for excellence in piano studies.

Artist
ying zhang, piano
Ying Zhang is a pianist devoted to revealing the emotional depth and narrative resonance of the piano repertoire. Known for her refined sound, clarity of expression, and instinctive sensitivity to musical lines, she brings an intimate and compelling presence to the stage. A versatile performer active as a soloist and chamber musician, she has appeared in concerts across Canada, the United States, and China.
Born in China, Ying received her formative training at the Conservatory of Music’s affiliated middle and high school before pursuing advanced studies in North America. She holds a Bachelor of Music and Master of Music in Piano Performance from the Schulich School of Music at McGill University, as well as a Post-Graduate Professional Studies Diploma from the San Francisco Conservatory of Music. During her studies at McGill, she was recognized with the Paul-Marcel Gélinas et Verna-Marie Parr Gélinas Piano Award for academic and artistic excellence, and received the Outstanding Achievement in Piano award as a graduating undergraduate for excellence in piano studies.

Artist
ying zhang, piano
Ying Zhang is a pianist devoted to revealing the emotional depth and narrative resonance of the piano repertoire. Known for her refined sound, clarity of expression, and instinctive sensitivity to musical lines, she brings an intimate and compelling presence to the stage. A versatile performer active as a soloist and chamber musician, she has appeared in concerts across Canada, the United States, and China.
Born in China, Ying received her formative training at the Conservatory of Music’s affiliated middle and high school before pursuing advanced studies in North America. She holds a Bachelor of Music and Master of Music in Piano Performance from the Schulich School of Music at McGill University, as well as a Post-Graduate Professional Studies Diploma from the San Francisco Conservatory of Music. During her studies at McGill, she was recognized with the Paul-Marcel Gélinas et Verna-Marie Parr Gélinas Piano Award for academic and artistic excellence, and received the Outstanding Achievement in Piano award as a graduating undergraduate for excellence in piano studies.

